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Free Download James Warren, Empire Of Monsters: The Man Behind Creepy, Vampirella, And Famous Monsters

Free Download James Warren, Empire Of Monsters: The Man Behind Creepy, Vampirella, And Famous Monsters

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James Warren, Empire Of Monsters: The Man Behind Creepy, Vampirella, And Famous Monsters

James Warren, Empire Of Monsters: The Man Behind Creepy, Vampirella, And Famous Monsters


James Warren, Empire Of Monsters: The Man Behind Creepy, Vampirella, And Famous Monsters


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James Warren, Empire Of Monsters: The Man Behind Creepy, Vampirella, And Famous Monsters

Review

“A horror nerd's dream.” - Cinepunx“I devoured Bill Schelly’s James Warren: Empire of Monsters... A breeze of a read.” - Bookgasm“Bill Schelly has an obsessive yet intelligent passion for things many might consider marginal if not bizarre―always the mark of an interesting mind.” - Tom Robbins“Ask anyone who has been associated with the fantasy-horror-science fiction genres in the last thirty years about [Famous Monsters of Filmland], and you’ll get a laugh, a flash of the eyes, and a stream of bright memories ― I practically guarantee it.” - Stephen King

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About the Author

Bill Schelly is an Eisner-nominated comic-book and film historian; he lives in Seattle.

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Product details

Hardcover: 272 pages

Publisher: Fantagraphics; 1 edition (March 19, 2019)

Language: English

ISBN-10: 1683961471

ISBN-13: 978-1683961475

Product Dimensions:

6 x 9 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#8,826 in Books (See Top 100 in Books)

Ever since, at age 8, I bought a copy of FAMOUS MONSTERS #7 off the newsstand in Santa Monica I've been a great fan of James Warren's publications. He struck a note with the baby boomers as they grew up in the '50's and '60's and '70's. Having enjoyed his magazines over the years, Bill Schelly's new book goes behind the scenes and presents a fully explored biography of the man behind the magazines. Warren's business practices, artistic attitude and general outlook on life as he went from the bottom to the top to the bottom again is well presented. So many photos of people contemporaneous with the time that have never been seen before really add a special note to the book which is, appropriately, visually rich with art, photos and more. Bill's prose flows smoothly and his style and subject matter keeps the reader going and going until suddenly the book ends. This is definitely Bill's best book yet, IMHO. Congratulations to Bill and thank you to all the people that opened up their life stories and information that related to James Warren, a very unique and complex character. Any person who enjoys the history of comic books and magazines from this era and the behind-the-scenes business machinations is in for a treat. Buy it now!

This book is a must for every Baby Boom monster kid. This voluminous tome revealed to me an era of publishing closest to my childhood heart. When I was a kid I loved Famous Monsters of Filmland but for me the holy grails of magazines were Spacemen and Screen Thrills Illustrated. I never saw the actual magazines, only the ads for them, but I can still remember the images of the covers. I viewed this book with the same sense of wonder. James Warren had a knack for publishing almost every magazine I ever wanted when I was a kid.Warren was quite a guy. With Hugh Hefner as a contemporary and an alleged affair with Jane Fonda, he was quite the bon vivant around the big city. I will thumb through this book several times before I get serious and read it from cover to cover, and I will savor it in the same way I once savored the tattered pages of Famous Monsters.

This is a great book on a legendary figure in pop culture of the 60s and 70s-- to many of us Boomer kids Famous Monsters was our gateway to classic monsters and more. Creepy and Eerie were Monster Comics when there was a drought of them and all of this thanks to James Warren. Warren also introduced many of us to Will Eisner's SPIRIT which was innovative in the 40s and nearly forgotten when he reprinted them. All brilliant work.The book is well researched, entertaining and loaded with photos and illustrations-- this is a terrific read and if you love the spirit of the old Warren Magazines you'll dig this.Schelly keeps the text moving and you'll be rooting for Jimmy throughout the ups and downs of his publishing empire.Highest recommendation!

Despite my passion for American pop culture and in particular comics produced around or during the Silver Age, James Warren was never a name that frequently came up on my radar. Although I dabbled in horror comics, EC left me cold, and while I perused copies of friends’ Creepy and Eerie purchases, I soon went scurrying back to super-heroes and sci-fi, and didn’t mourn the cancellations of any of Marvel’s horror titles, even though I read most of them.James Warren’s contribution to one of the most creative decades of the 20th century was, however, significant. It was to be in the right place at the right time to give us Famous Monsters of Filmland and Screen Thrills Illustrated, and instigate the black and white horror comic magazines that circumvented the Comics Code Authority for better or occasionally worse. For better meant opportunities for American artists like Ditko, Colan, and Adams to stretch and experiment, not just with content but style; for Spanish artists like Gonzales and Maroto to display their talents to the U.S.; to present to the world the iconic and erotic, if vacuous Vampirella; and a powerful but sabotaged anti-war comic at the height of America’s involvement in Vietnam. The worst included the tasteless and lamentable adult sci-fi comic 1984, which as usual, meant adult as in pitifully immature and vulgar. He produced nothing truly original, it had all been done before, but created a whole new medium to present it in.This is an excellent and fascinating book, filling in a lot of gaps in my knowledge and organising in sequence and with clarity many of the things I already knew about (the only story not covered seems to be his feud with B-movie monster maker Paul Blaisdell). The story of James Warren the person is a compelling and intriguing one, with an ending that reads like a script for a Hollywood feelgood movie, as he is plunged to the depths of despair but then moves full circle to re-discover… well, I’ll not spoil it. In his heyday, Warren created an image for himself, and then moved into it, making as much of it a reality as he could and faking the rest; his failings were also his virtues, and vice versa. He got lucky as often as he got unlucky, coping poorly with bad luck, and making his own good luck with astonishing gall and bravura.Author Bill Schelly has both spoken to, and gathered interview quotes from, the people who knew him and worked with him, some of whom liked him, and some of whom clearly didn’t. He had as many friends as enemies, but nobody left his company without an opinion. Everybody concerned seems to have had their legitimate reasons for the position they have taken, and the author sensibly takes no sides, leaving events to speak for themselves. You don’t have to like him, but you have to admire him. We encounter the late Forrest J. Ackerman and his massive ego, and discover who did what at Famous Monsters, meet the arrogant but admired humourist Harvey Kurtzman and how he soured his relationship with Warren, hear numerous amusing end-of-the-evening-style anecdotes, skim the contents of Creepy and Eerie, watch the quality and sales figures rise and fall, certain titles fail and others scrape by (and why), see Warren crash and burn and then rise phoenix-like from the ashes, and get a fascinating insight into the all too often overlooked business side, its bitter realities, opportunism, and outrageous but legal loopholes.On the way, who should pass through but Terry Gilliam, John Cleese, Flo Steinberg, Wally Wood, schlockmeister Sam Sherman, sleazy operator Myron Fass, the late, litigious Harlan Ellison (who had an iron-clad case this time), Hugh Hefner, and Wonder Woman advocate Gloria Steinem. Warren was very much a businessman first and foremost, but as a graphic designer himself, understood, appreciated and enabled his artists, a rare quality in a money man. He was cruelly practical, occasionally generous and sympathetic, short-tempered, and blunt and brutally honest with fandom, but behaved like a child with regard to rival publishers when they launched similar titles or employed ‘his’ artists. You don’t demand loyalty from freelancers submitting stuff on spec, that’s the opposite of freelancing. Warren took everything personally, while telling everyone else “it’s business”.Schelly was unable to speak to the subject himself, now in his nineties and apparently writing his memoirs, but given Warren’s obsession with his image, and openly admitted tendency to create a cult of personality for himself, and allowing for the integrity and fairness of this work, this may be the best bet for an honest account of Warren’s legacy, which in the big picture may be minor, yet in many ways could also be considered substantial. One could go years without being touched by Warren’s accomplishments or hearing his name, and yet he has earned his place as a prime mover in popular culture. Warren’s all-important abilities as a businessman, and thus a facilitator for the creative elements he gave a platform, shine through and dominate the text. It might have been nice to have big glossy pages full of examples of his magazines, but I don’t think that is the true function of this text-heavy book. The illustrations shown are relevant to the matters being discussed, which is useful, and there are some great photos. I read this 330 page book in three sittings over two days, so I respectfully disagree with the U.K. reviewer who criticised the quality of the writing. Having just read Stuf’ Said’s hatchet job on Stan Lee, I’ve had my fill of ‘imaginative and ingenious’ research! As the guy on Dragnet used to say, “Just the facts, ma’am”. This is the truth as the participants remember it, and there are enough of them to keep it honest. This is the story of a man who wanted it all, had it all, lost it all, and found peace. He had quite a ride.Purchased on Amazon U.K. For some reason, this product was released in the U.K. several months ago, which is why I can review so soon; I found it just a few days before the U.S. Amazon release date.

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